ANIMATION FORM

Animaion form is an innovative direction in design and it is also translation into architectural form. Animation has got huge connection with motion and force. This two things are related with movements, rhytms, pulses and flows. It causes effects on forms. In book it was named motor evidence. My examples of architecture is project of the empire tower is located in the heart of Dubai. It uses an array of splayed vertical layers which are unified at the bottom and rise up into the sky with gentle curves. It show rhytms in facade.

The dancing house in Prague and The Ray and Maria Stata Center, both projected by Frank Gehry. Dance is associate with different movements, so it is comment to the name of the building. We are able to see that they look like somebody crumpled them and they present it on exterior. That’s why we can image that the force was necessary to do it. They seemed to express the motion that there is to narrowly for that buildings.

The people’s theatre projected by Oscar Niemeyer I would like to give as example of the flow in contemporary architecture. The white, popply surface I link with sea wave which has connection with the different meanings of flow. The roof is like rising billow.

This two outwards of the buildings first from Dresden and second from Moscow make an impression pulses. The force is responsible for causing sensation that this front is pulsing. That’s why you feel that that buildings are interesting for you and send motion.

Inspiration of external animals movements, in my opinion, made that form of buildings is based on curvilinearity. In animal body we never find straight corner.

LIKE A DELPHIN-ARC,BOW

LIKE A CATERPILLAR-SEGMENTS

LIKE A FISH'S BONS

LIKE AN ELEPHANT-CYLINDRE, TRUNK

LIKE A FLAT-FISH

LIKE A TWISTED SNAKE

LIKE AN OCTOPUS
Curvature, inflection and gradient, this three articles are also keywords to registration of force on form. City gallery in Stuttgart and cinema in Dresden present in their appearance curvarutre, inflection and gradient in shapes which attract wayfarers.
On figure of this buildings consist speed, temperature and weight.

The main relationship in creativity the curvilinearity is colaboration between deformation and force as well curvature which is result of force and time. I chose The Hoofddorp gallery proposed by Maurice Nio for explanation this dependences.

Snapshots as a connection curved lines through the points. When we join all points step by step we received illusion of movements.
Time – continuous curvealiner flow rather than a divisible sequence reducible to discrabe frames. For me Jubilee Church in Rome projected by Richard Maier is reflection this words.

Greg Lynn cites Marey definition: Marey – model of time based on inflection and curvative akin to computer animaion. I see it on light shapes 30 St Mary Axe created by Norman Foster and The palm tower.

Fitness landscape-point change own position, can’t be localized. You aren’t able to find beginning and the end. Bowl – symbol of infinity.
Exapmles: bowl - proposal for the RAK convention and exhibition centre in the
new city development, Ras Al Khaimah. It was designed by Rem Koolhaas and Reiner de Graaf of OMA architects. the building is made of glass and steel constructed in a giant sphere and located beside a long and low exhibition space next to it; London city hall projected by Norman Foster.

BOWL-SYMBOL OF INFINITY
Movement of the point across landscape becomes collaboration bewteen: speed, elascity, density, friction. Examples of modern architecture: Złote tarasy/ Gold terrace in Warsaw, projected by The Jerde Partnership ; Mercedes-Benz Museum in Stuttgart, projected by UN Studio.

ANIMATION FORM
idea, concept --> multiplication this for topological shapes (searching connection with nature) + computer programs, animations --> finally: abstract machines = centemporary form ( based on motion and force : rythms, movements, pulses, flow) architecture and design.
OTHER EXAMPLES OF CONTEMPORARY ARCHITECTURE:



Traditionally, in architecture, the abstract space of design is conceived as an ideal neutral space of Cartesian coordinates. In other design fields, however, design space is conceived as an environment of force and motion.

architecture occupies the role of the static frame through which motion progresses.

Statics becomes the condition of matter without force and dynamics becomes the condition of matter acted on by force. Stasis is a concept which has been intimately linked with architecture

the contemporary debates about theories of gravity could inform present discussions of architecture in the same spirit that they have done in the past

The fact that architecture is so heavily dependent on mathematics for the description of space has been a stumbling block to the use of motion and flow in the design process, as these ideas require that architects draw geometries whose underlying mathematics is calculus. The computer is not a brain. Machine intelligence might best be described as that of mindless connections. When connecting multiple variables, the computer simply connects them, it does
not think critically about how it connects. The present limits of connectionism are staggeringly complex, and the directness with which multiple entities can be related challenges human sensibility.